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Mark Millar is wrong about digital comics | Robot 6 @ Comic Book Resources

Here’s Mark Millar explaining why he doesn’t want his creator-owned comics to be released in digital the same day as print:

Digital comics are like TV rights to me in that they’re the tertiary phase of all this. These are for the most casual, mainstream readers or viewers and much cheaper than the primary or secondary waves. They’re a great way of pulling people in for the next product coming out in theatres or in comic stores, but absolutely not the bedrock of your business. The fact they’re not on paper doesn’t matter as these guys aren’t collectors as such and the lower price point is very attractiveto them.

That was in November 2011, when same-day release of digital comics was still something of a novelty. Now it is so commonplace that, as Rich Johnston noted, Twitter was full of confused readers last week who couldn’t figure out why the first issue of Millar and Frank Quitely’s new series Jupiter’s Legacy wasn’t available digitally.

You can’t fault Millar for not being able to see the future. It’s pretty counterintuitive to think that sales in the direct market would go up in tandem with the rise of digital media, but that’s exactly what has happened. There’s zero evidence that digital sales are hurting comics shops.

What really bugs me about Millar’s comment, though, is that he seems to be giving the back of his hand to readers who get their comics digitally. Someone should tell him there’s a large audience out there that’s fully engaged, to the point where they are willing to pay full cover price for digital comics in order to get them the day the print editions come out. Those fans seem to me to be precisely “the bedrock of the business.”

I won’t pay $3.99 for a single-issue digital comic, but there is apparently a substantial audience out there who will. Publishers and digital distributors aren’t in the business of losing money, and they wouldn’t maintain that full cover price if people weren’t paying it. Someone who will pay top dollar to get a comic right away, rather than wait a couple of months for the price to drop? That’s an engaged fan.

Millar doesn’t seem to realize many people simply don’t live near a comics shop. Until the advent of digital, a lot of potential readers were locked out by simple geography. One could even argue that both the availability of digital comics and the popularity of comic book movies in recent years have given customers more incentives to seek out comics shops and to travel farther to get print copies. There’s plenty of anecdotal evidence that digital readers also buy print comics.

Whatever the reason, it’s clear the comics marketplace is growing and evolving, and it really doesn’t need Millar to save it. New comics shops open every week, and smart retailers are developing new ways to create community and keep their existing customers coming in. Day-and-date digital is here to stay; denying it doesn’t help matters any. What’s helpful is to adjust to the new market realities, and retailers seem to be doing just that. When Steve Bennett — himself a retailer — went to buy Jupiter’s Legacy and found it wasn’t available digitally, he wondered, “will this actually lead to added sales for the direct sales market or lost sales for digital downloads?”

At a Chicago Comic & Entertainment Expo panel, Mark Waid commented that Millar was “setting his money on fire” by not making his comics immediately available digitally. That’s his prerogative, of course, but it seems a bit mean-spirited to lock out potential readers simply because they prefer to buy digitally. That’s not treating his core audience well — and readers who are willing to spend four bucks on a bucket of pixels are indeed part of his core audience.

via Mark Millar is wrong about digital comics | Robot 6 @ Comic Book Resources – Covering Comic Book News and Entertainment.

Marvel Signs Up To Diamond Digital – Bleeding Cool

At the Diamond Retailer Summit this weekend at Chicago, naturally one of the groups presenting to retailers was Diamond Digital, who allow comics stores to sell digital codes for comics direct to the consumer.

While they have many publishers, the Big Two, Marvel and DC haven’t been involved.

Well, Marvel has now agreed to make a hundred of its best-selling comic collections available to buy digitally through comic stores via Diamond Digital. Retailers were told that Marvel’s participation is based on retailer participation and that they will pull out if it isn’t enough.

Diamond Digital are unique in the way they provide digital codes for comic shops to sell, giving them the ability to sell digital comics without the paper equivalent but retaining the link between the comic shop and the reader.

However Diamond Digital have stated that they have no intention of cross-pollinating Diamond Digital comics with ComiXology. It’s a Two App Solution.

via Marvel Signs Up To Diamond Digital – Bleeding Cool Comic Book, Movies and TV News and Rumors.

Graphic India bets on digital comics with homegrown superheroes, can it create a niche? « Internet « Techcircle.in

Mumbai-based Graphic India, which creates comic characters and super heroes for offline and online worlds, is looking to tap into the 500 million-strong youth population in India to grow its business, a top executive of the firm told Techcircle.in.

Graphic India, which raised an undisclosed sum in January from CA Media, the Asian investment arm of The Chernin Group, LLC (TCG), for a large minority stake, is also planning to roll out apps and e-books for iOS and Android devices in a couple of months. Additionally, it will soon introduce printed comics, graphic novels and other related merchandise in India and the US, according to co-founder and CEO, Sharad Devarajan.

Read the rest at: Graphic India bets on digital comics with homegrown superheroes, can it create a niche? « Internet « Techcircle.in – India Internet, mobile, consumer tech, business tech.

Diamond’s Previews To Drop To 99 Cents Digitally – Bleeding Cool

Diamond Comic Distributors have been talking at their retailer summit in Chicago about their plans for their regular monthly catalogue Previews, currently selling for $3.99 digitally, through comic book stores.

That price is set to drop to a mere ninety nine cents.

When asked why they didn’t just offer the catalogue for free to increase sales on items, retailers were invited to give the codes away to customers… but the retailers would have to pay. Which, you know, is what some retailers do now with print Previews.

But right now, Diamond sees Previews as a product to make money on – or at least break even.

via Diamond’s Previews To Drop To 99 Cents Digitally – Bleeding Cool Comic Book, Movies and TV News and Rumors.

Spirou Launches New Digital Comic, Spirou Z, And It’s Remarkable – Bleeding Cool

Spirou, the long standing French comics anthology, that was first published in the same week as Action Comics #1, has created its own separate digital comic spinoff.

Spirou Z  (the name influenced by Dragonball Z) is aimed at a family audience and has been created by many leading French and Belgian comic creators specifically for the digital reading experience, dubbed something they call Turbomedia.

 

Which means lost of comics based on Alex De Campi’s layered panel approach, but also examples of infinite space, different directions of reading experience, and limited animation, sound effects and other bits and bobs. It’s very effectively put together, there are lots of stories to experience, it’s basically changed the digital comics landscape in one sitting. Many will take issues in some of the areas it travels, some closer to animation than comics, but it does seem to walk the line of a digital comics anthology well. I urge you to try it for yourself.

And issue 0, is free, on the App Store right now, and it’s even in English.

via Spirou Launches New Digital Comic, Spirou Z, And It’s Remarkable – Bleeding Cool Comic Book, Movies and TV News and Rumors.

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The lesson of the comiXology blackout | Robot 6 @ Comic Book Resources

The crash of comiXology’s servers over the weekend brings home a nagging detail to digital comics that deserves renewed attention: the lack of a file for consumers to keep.

The current model for most digital comics providers is to offer access to files through a proprietary reader available through their apps or websites. It’s essentially a leasing arrangement, granting temporary access with an open-ended term limit. You can “download” a local copy, but this isn’t a true download. The file is returned to the provider’s cloud storage after a short period of inactivity, although access remains through your library on the reader.

All things being fine in the universe, that hasn’t caused many problems. There have been a few incidents of comics being yanked back into the archives either because of an inadvertent early release or because a publisher no longer wishes to sell a certain title, but by and large there haven’t been any issues with the current model. Some previously voiced reservations about that arrangement, yet theoretical concerns are often ignored or quickly forgotten until they become a reality. And they became a reality over the weekend.

Read the rest at: The lesson of the comiXology blackout | Robot 6 @ Comic Book Resources – Covering Comic Book News and Entertainment.

Marvel Unlimited: Marvel’s Spotify for Comics Is Out Now for iOS

There’s one thing every comic fan has been yelling about for years: Why isn’t there a subscription service that lets you pay for an all-you-can-eat monthly dose of comics? Marvel just did it. Marvel Unlimited, formerly MDCU, is on iPads and iPhones now.

Marvel Unlimited is a new app, separate from the Marvel app already in the store. The app is an extension of the new HTML5 reader that Marvel Digital Comics Unlimited rolled out recently, but much more convenient. It’s only on iOS for now, but will be on Android “soon”. You can also just use Android’s browser, but that’s not a very fun experience. The subscription is the same as the web-based version, so if you already subscribe to MDCU, you can use the app, too. If not, subscriptions are $10 per month, or a “limited time” annual subscription for $60 ($5 per month).

Read the rest at:

Marvel Unlimited: Marvel’s Spotify for Comics Is Out Now for iOS.

You won’t find ‘Sex’ in Apple’s App Store | Robot 6 @ Comic Book Resources

It seems Sex doesn’t sell, at least through Apple.

 

The new Image Comics series by Joe Casey and Piotr Kowalski debuted Wednesday virtually everywhere, except on the Image Comics iOS and comiXology COMICS iOS apps, as it ran afoul of the App Store’s frequently bewildering rules governing sexual content.

As that policy isn’t likely to change for subsequent issues, the publisher is suggesting that readers purchasedigital copies on iBooks or directly from the Image Comics website, and then sync them to their iOS device and preferred app.

 

Announced at Comic-Con InternationalSex follows a retired superhero as he tries to adjust to a “normal” life.Casey told ROBOT 6 in January that, unlike so many superhero comics, the sex in this monthly series doesn’t remain off-panel. “This is a book for adults, and I’m assuming adults can handle whatever adult situations we choose to show on-panel,” he said. “I could be wrong about that …  but I guess we’ll all find out, because there’s going to be plenty of things that will stay ‘on-panel.’”

Sex #2 goes on sale April 2 … just not in the App Store.

via You won’t find ‘Sex’ in Apple’s App Store | Robot 6 @ Comic Book Resources – Covering Comic Book News and Entertainment.

Viz Media launches sticky DOT comics kids app | Robot 6 @ Comic Book Resources

Continuing the expansion of its Viz Kids imprint, manga publisher Viz Media this morning launched sticky DOT comics, a free kids’ digital comics app for the Apple iPad and iPad mini.

Developed by Viz Media, the app allows readers to securely browse and download a range of manga and graphic novels, from Pokémonand Mameshiba to Redakai and Voltron Force.

Launch titles include Pokémon AdventuresPokémon Adventures: Diamond and Pearl/PlatinumPokémon Black and WhitePokémon:Diamond and Pearl Adventure!Mameshiba: On the Loose!Little Miss Sunshine: Here Comics the Sun!Mr. Strong: Good Thing I Came Along!Redakai and Voltron Force. Available for download in the United States and Canada, volumes are priced between $2.99 and $3.99. New titles and volumes, along with free previews, will be added frequently.

The debut of sticky DOT comics follows Viz’s recent announcements of new Hello Kitty comics and Pokémon manga, as well as a partnership with iVerse.

via Viz Media launches sticky DOT comics kids app | Robot 6 @ Comic Book Resources – Covering Comic Book News and Entertainment.

EXCLUSIVE! Mark Waid talks Marvel Infinite, Thrillbent 2.0, the future of digital comics and Kingdom Come the iPad app! | Pipedream Comics

Having written some of the finest comic stories of all time (Kingdom Come, Flash, JLA, Daredevil, Superman), superstar comic writer Mark Waid turned his back on print in 2012 and declared his allegiance to the world of digital. Over the past 12 months he has established himself as the true godfather of digital comics, thanks to the launch of Marvel’s Infinite series, but also with his creator owned web portal Thrillbent and its lead title Insufferable. As one of the most high profile advocates of the brave new world of digital publishing we asked Mark the secrets to a great digital comic and where things are heading in 2013?

What was the inspiration for setting up Thrillbent? Was it intended as way for you to write and publish the books you wanted to without relying on a major publisher? Or was it as a way to help dip your toe on the emerging world of digital comics?

MW: Originally, the former–it was a reaction to the staggering print costs faced by smaller publishers that will probably only rise. And it was also to prove my conviction that the future of the market is the shift away from Big Distributors and towards a smaller economy that’s a direct link between artists and their audience. But honestly, as we began to pull Thrillbent together and I began producing more material, I got more into the actual content–into the process that enables you to tell a story differently in digital.

Read the rest of the interview at: EXCLUSIVE! Mark Waid talks Marvel Infinite, Thrillbent 2.0, the future of digital comics and Kingdom Come the iPad app! | Pipedream Comics.

MTV Geek – Kleefeld On Webcomics #96: ‘Comic Book Think Tank’ Interview, Part One

Ron Perazza and Daniel Govar have been making waves in the comic industry for several years now. Perazza started his career working on Marvel trading cards, and eventually became the editorial director for DC’s Zuda Comics imprint. Govar comes more from an animation background, but caught comics’ attention with Azure, published through Zuda. Last year, they launched a new project called Comic Book Think Tank, largely as an avenue for them to explore the notions of webcomics in a very public space. As part of that exploration, they’ve created their own webcomics viewer, Yanapax, which they’re making freely available to anyone. Both Perazza and Govar sat down to talk about how they came to create CBTT, what they’re doing with it, and where they’re going with it. Govar was even kind enough to provide MTV Geek with an exclusive look at some of his art for one of their next stories.

MTV Geek: We’re definitely going to be talking about Comic Book Think Tank here, but I want to start with some background to help put things in perspective for everyone. You’ve both been in comics for a number of years, and have exhibited a clear love of the medium. Can you both share some of your earliest comic experiences? Were you big fans as kids? What were the comics that first really grabbed your attention?

Read the interview at: MTV Geek – Kleefeld On Webcomics #96: ‘Comic Book Think Tank’ Interview, Part One.

GEN Manga Offers Free E-Books, Prepares to Launch Korean Comics Magazine | Good E-Reader

If you’re a digital comics absolutist who wants to own all your comics in DRM-free format, and you like manga, GEN Manga has got you covered. The monthly manga magazine launched in April 2011 with a reader-friendly model: Each magazine includes chapters of four or more serials, and the first issue is free. You can buy individual issues for $1.99 or subscribe for $1.99 a month, which gives you access to all back issues as well as some of their collected graphic novels. And it’s all presented as DRM-free PDFs, which means you can download the comics to any device you like and read them with any PDF reader app—no proprietary app needed.

If, on the other hand, you like the convenience of a particular e-reader or app, GEN is happy to oblige: They offer their magazines for Kindle and iTunes and in the Comics Plus app, and on each of these platforms, the first four issues are free and the fifth is only 99 cents. I checked in with publisher Robert McGuire about this, and he told me that they are testing to see how GEN does on different platforms and that the prices may change in the future—so download your free issues now!—but that may include making later issues free as well.

I reviewed the magazine for MTV Geek a while ago; that post includes some images, so you can get an idea of what the comics look like, and here’s a preview of Kamen, one of their series. And McGuire explained the basic business model of the magazine in an interview with Otaku News around the time they launched. Basically, the magazine is digital first, and they release the early issues for free so new readers can get involved in the stories and then will be willing to pay for new installments.

An image from Kamen, one of the manga serialized in GEN Manga Magazine

With nearly two years of monthly magazines under their belt, the editors of GEN are changing their approach a bit this year: They will take a break from the monthly magazine, but they will continue to collect the series into graphic novels, and they are introducing something new: Manhwa, Korean comics. “We will start with one title at first at two chapters a month (around 50 pages) and go from there,” McGuire told me. “The genre of this title (Stone Collector) is best categorized as seinen as it is 16+. The creators are professionals that work for Japanese manga studios as well. This is one of their original manhwa. It’s a non-stop full of action title full of monsters and zombies! Very high grade stuff!” The first chapter, which McGuire describes as “pretty explosive in comparison to what you have been used to seeing from us so far,” will be released for free to the public, and the second and subsequent chapters will be for subscribers only.

Incidentally, while those free issues are free on every platform, the formatting is somewhat different. Most manga reads from right to left, which sounds a little daunting but is actually quite easy to get used to. (I was over 40 when I started reading manga, and I have no trouble switching back and forth.) However, the way the book is formatted can make it easier. The version in Comics Plus is the easiest to read, because the pages also flow from right to left, so you swipe from left to right (the opposite of most e-books) to turn the page. The Kindle version swipes the other way, which may feel more natural, but you’re reading the pages one way and turning them the other way. The worst of the three by far is iBooks, which always displays the book as a two-page spread, whether you are reading in landscape or portrait mode; the problem is that the pages are arranged left-to-right but they read right-to-left, which even I, a manga veteran of long standing, found confusing. The Kindle version will work on the Kindle Fire, Kindle Cloud Reader, and the Kindle apps for iPad and Android, so if you don’t want to use the Comics Plus app, Kindle is probably the way to go.

via GEN Manga Offers Free E-Books, Prepares to Launch Korean Comics Magazine | Good E-Reader – ebook Reader and Digital Publishing News.

Hellboy in Hell: Print vs. Digital | Jim Rugg

Mike Mignola returned to monthly comic books with Hellboy in Hell (December 2012). He hasn’t drawn a regular Hellboy series since The Island in 2005. I enjoy his storytelling, drawing style, humor, and design so I was excited when Hellboy in Hell #1 hit shelves. I can not remember the last time I went to a comic book shop to buy a new comic book on new comic book day. This was going to be great!

Except, it wasn’t.

I was a little disappointed but couldn’t figure out why because Mignola’s drawing and storytelling were great as usual. When I spoke to Jasen Lex about it, I learned he thought the new comic was fantastic. After a brief conversation, I realized that Lex had read a digital copy (on his beautiful Mac display) while I had read a print copy.

We decided to compare his digital copy and my print copy page by page, panel by panel.

I found the digital copy stunning in comparison. The subtle palette’s warm and cool colors complimented Mignola’s immaculate compositions and storytelling in ways I had missed on my readings of the print edition. *(It should be noted that the digital copy also lends itself to zooming in and out of the artwork and focusing on individual panels, as a fan of Mignola’s compositional choices and drawing, this definitely adds to my enjoyment.)

I had to take back all the negative thoughts I had been sending Dave Stewart’s direction. Each panel and page looked great.

But the print edition now looked even worse compared with the digital copy.

Read the rest at and see the examples at: Hellboy in Hell: Print vs. Digital | Jim Rugg.

Kenya’s first digital comic launched today. Here’s the debut episode (part one) | Ghafla!Kenya

Comic books and magazines have been common among the youth for the longest time, but in this digital world we live in right now, everything is evolving.

Kenya’s first digital comic titled ‘Hillside Campus’ has just been launched. Its debut episode has officially been published on Capital Campus, a section featured on the Capital FM website for campus matters.

The comic is about a group of campus students who live life on the fast lane as they study and build their lives. Graphics of this comic have been done by Movin Were. Vince Matinde is the guy behind the interesting and captivating story line which, when you look at it with a keen eye, reflects to what happens in our campus institutions.

Here is the synopsis and the first episode of the new ‘HillSide Campus’ digital comic.

 

Three campus dudes, Davy, Simo and Kevin are your normal campus buddies. Well not quite. They are more adventurous and almost moronic in their quest to spice up their lives in campus away from their homes.

In their second year in campus, there is a mystery of a disappearance of a third year girl. Five months later, they stumble on the girl’s secret blog diary. They get embroiled in the case as they follow her personal blog where she has left clues and to what could have led to her disappearance.

On her secret blog, she has described different characters in the campus. From lecturers who had advances on her, her ex boyfriends, the scams going on in the campus, the boy she liked and everyone who had threatened her etc.

But her blog is full of various issues any that would have led her to her death. The three decide to follow up on the clues that she has left to unveil the mystery, but they get more than they bargained for…

Apart from following the girl’s blog, the three students get in trouble with their lecturers for their behavior. Love and relationships are poured into the mix and this makes their life in campus more they could have imagined.

via Kenya’s first digital comic launched today. Here’s the debut episode (part one) | Ghafla!Kenya.

Read all of Kyle Baker’s graphic novels online for FREE

For reasons unknown—but probably just for the good of society—Kyle Baker (Deadpool, Plasic Man) has put most of his creator-owned body of work online for FREE including early classics, THE COWBOY WALLY SHOW and WHY I HATE SATURN, and later works I Die at Midnight, King David, The Bakers, Special Forces, Nat Turner and more. This is a treasure trove of reading (although some of the scans are a bit small—but who cares: it’s free.)

Wally and Why I Hate Saturn were among the first standalone graphic novels of the post-Maus era and remain as biting and hilarious as when they were written. Cowboy Wally is a behind-the-music look at a kids entertainer, from his early years to his production of Hamlet behind bars. It’s also one of the funniest comics of al times. Saturn is just as funny, a social satire about dating in the 90s that exists in a world long gone by—a long ago place where sexting and OK Cupid didn’t exist—but still hilarious.

Consider these two must reads—both for content and the influence they had on the emerging graphic novel genre—but don’t miss the rest either:

YOU ARE HERE—a man with the perfect life has to figure out how to tell his fiancee about his secret past as a criminal.

I DIE AT MIDNIGHT—a mad who has taken poison has to find the antidote before midnight in this Y2K thriller.

SPECIAL FORCES—savage satire about the our wars in the Middle East as the Army employs special needs troops.

NAT TURNER—the history of the rebel slave

KING DAVID—a retelling of the biblical tale

THE BAKERS—family humor

HOW TO DRAW STUPID —drawing tips for the intelligent

There’s much more at Baker’s website if you poke around.

via Read all of Kyle Baker’s graphic novels online for FREE.